NIX

It is a work of generative video, which shows the dreams of electronic animals, abstractions of data that are recomposed at every moment. It is constituted by genetic algorithms that make up images constantly, the artist does not create a unique and static work, but models the possibility of thousands of images that share minimal graphic features that give them coherence. This work is inscribed in the very old art of automatons, started centuries ago in the Arab world and in which artists such as Leonardo DaVinci or Jean Tingely have dabbled.

As well as the river of Heraclitus, in this work the public can not be submerged twice, because unlike conventional video this work is not constituted by images recorded by the author, but by a computational automaton that reconfigures the pixels of the screens dynamically to generate the images that are revealed to the public, none will ever be repeated.

This proposal is accompanied by four unique impressions in which the artist collaborates with the machine for the crystallization of a moment, small selfies that help the artwork to remember the work who he is, who he was.

 

Reticular Nix
2014

Generative Art

Monitor, computer, genetic algorithms.

25.5 x 16.25″

Reticular Nix from Jaime Lobato on Vimeo.

Oniros Áuricos
2015

Printing on cotton paper

11.8 x 7.4″

Topos Uranus
2015
Printing on cotton paper
8.7 x 4.9″

Daydream-Fecundation I
2015
Printing on cotton paper
5.9 x 3.6″

Daydream-Fecundation II
2015
Printing on cotton paper
5.9 x 3.6″